I was lucky to be able to catch-up with mining heritage project worker and tutor Dr. David Amos to talk about Mine-Craft the Prequel: The Photographic Story of East Midlands Coal
Andy Howlett’s Paradise: Lost History in the Un-Making premiered at the 15th Flatpack Film Festival on Monday 24th May 2021.
Meadow Arts a Shrewsbury based contemporary arts organisation have launched RURALities their first ever digital programme of new work.
Interview with the geographer Hannah Awcock about how research into the geography of protest stickers
In the early 1990s Germany documentary photographer Peter Bialobrzeski spent a year in the UK as an exchange student. He documented his travels and experiences in the country in a body of work which has now become the book “Give My Regards to Elizabeth”
Living in Birmingham and being interested in photography I have long been aware of the brilliant body of documentary photographic work produced by Pogus Caesar over the last four decades. However, it only through Kieran Connell’s excellent Black Handsworth which came out last year, that I became truly aware of his status as the premier visual chronicler of the 1985 riots which took place in that area of north west Birmingham. As such, when I found Café Royal Books were publishing Handsworth Riots 1985 a series of Caesar’s work documenting the event, I knew that I had to get a copy. Published almost 35 years to the day the riots began, the staple bound pamphlet in Café Royal’s trademark austere, black and white minimalism (resplendent in connotations of the best post-war British photo reportage publications) completely fulfilled my expectations. On a primary level what the photos selected for the volume convey to the viewer a sense at once of what rioting in a mid-1980s inner Birmingham suburb looked like, and how the area looked in …
Tracing the history of a squatted social centre/resource centre which existed in suburban south Birmingham from the spring of 1975 until the winter of 1977-78.
Review of This Way to the Revolution a recently published history capturing a snapshot of Birmingham in the year 1968.
Review and commentary upon Coventry Biennial’s screening of the artist’s film “Otolith 1” (The Otolith Group, 2003) in mid-August 2020.
Review of Vivid Projects’ online showing of “African Oasis” and “Mohammed Idrish Must Stay”