Tracing the history of a squatted social centre/resource centre which existed in suburban south Birmingham from the spring of 1975 until the winter of 1977-78.
Review of This Way to the Revolution a recently published history capturing a snapshot of Birmingham in the year 1968.
Review and commentary upon Coventry Biennial’s screening of the artist’s film “Otolith 1” (The Otolith Group, 2003) in mid-August 2020.
Review of Vivid Projects’ online showing of “African Oasis” and “Mohammed Idrish Must Stay”
Interview with the photographer Andrew Conroy about his South Yorkshire coalfield photography
This article first appeared on History Workshop Online on 13/03/2019. It was commissioned by Dr. Rachel Moss during her History Workshop Online Editorial Fellowship. In January (2019’s) issue of Tribune the geographer David Harvey explores housing commodification’s corrosive impact upon society. Reflecting upon his childhood home in suburban Kent, he shows that his family’s “house was a use value — stolid in its ordinariness”. In political economy use value refers to an object or a structure’s practical value to the user, whilst exchange value refers to the object’s potential financial or barter value if it is sold or exchanged, meaning that when Harvey’s parents owned it, the house’s purpose was primarily to provide the family with shelter and somewhere to build their lives. Harvey contrasts this with the highly financialised place of housing in contemporary society, arguing that in “…the city of speculative gain: occupancy becomes unstable and ephemeral, social solidarities and neighbourhood commonalities disintegrate.” This trend has played out dramatically and with highly detrimental results in Birmingham’s Selly Oak area, as I discovered while working on a …
On the evening of the 30th May-which was then the warmest day of the year-over fifty people, split roughly evenly between academics, students and interested members of the general public; gathered at the University of Birmingham to hear Prof. Lynda Nead (Birkbeck) present her research on “The Grain of History: Photography and Post-War Time c.1945-55”.
I was recently enthralled by the hashtag “Thanks for Typing”. In a nutshell #ThanksforTyping is a way for today’s intellectuals to share and shine a spotlight upon just how vital the (often unpaid) labour-both intellectual and emotional-of typists, proofreaders, research assistants and other (often unpaid) has been in the development of knowledge.
Its frantic approach made practitioners wince but, through Time Team, Channel 4 made archeology prime time entertainment for over two decades. That fact alone vividly illustrates a widely shared fascination amongst the public for peeling back the layers of the past and peering at the lives of those who came before us.
When Prince Charles first caught sight of Birmingham Central Library during a visit 30 years ago, he’s purported to have spluttered: “It looks more like a place for burning books than keeping them.”