In the early 1990s Germany documentary photographer Peter Bialobrzeski spent a year in the UK as an exchange student. He documented his travels and experiences in the country in a body of work which has now become the book “Give My Regards to Elizabeth”
Living in Birmingham and being interested in photography I have long been aware of the brilliant body of documentary photographic work produced by Pogus Caesar over the last four decades. However, it only through Kieran Connell’s excellent Black Handsworth which came out last year, that I became truly aware of his status as the premier visual chronicler of the 1985 riots which took place in that area of north west Birmingham. As such, when I found Café Royal Books were publishing Handsworth Riots 1985 a series of Caesar’s work documenting the event, I knew that I had to get a copy. Published almost 35 years to the day the riots began, the staple bound pamphlet in Café Royal’s trademark austere, black and white minimalism (resplendent in connotations of the best post-war British photo reportage publications) completely fulfilled my expectations. On a primary level what the photos selected for the volume convey to the viewer a sense at once of what rioting in a mid-1980s inner Birmingham suburb looked like, and how the area looked in …
Review and commentary upon Coventry Biennial’s screening of the artist’s film “Otolith 1” (The Otolith Group, 2003) in mid-August 2020.
Interview with the photographer Andrew Conroy about his South Yorkshire coalfield photography
On the evening of the 30th May-which was then the warmest day of the year-over fifty people, split roughly evenly between academics, students and interested members of the general public; gathered at the University of Birmingham to hear Prof. Lynda Nead (Birkbeck) present her research on “The Grain of History: Photography and Post-War Time c.1945-55”.
It’s every historian’s dream to track down an untouched archive. That is exactly what Kieran Connell – a researcher at the University of Birmingham – experienced in 2014 when, after months of searching, he received an email from a photographer: ‘I would love it if you could take over the collection of all my images about Balsall Heath’.